Paava Kathaigal, Streaming on Netflix

A state of lament and helplessness perceived as ART

Art holds great possibilities. Arts serves several purposes, it helps observes social behavior, its practices and essentially  in many ways serves a social commentary. 

To lament on the existing weaknesses in the system only infuses negative emotions into a large population that seem to be already distraught with helplessness.

I do not see the point in dwelling on already known perceptions on honour killing, child rape and homo sexuality without any solutions. ( IN Tamil , Aracha mava araikkarathu, OLD WINE IN A NEW BOTTLE)

A superbly crafted anthology of shorts evokes extreme disappointment, except for the wickedly humorous short from Vignesh Sivan.

A movie like SONI is a possible pointer to the role of ARTS in film making), where two women fight an almost helpless battle against the system. The climax is a stand out when the senior hands over the book of Amrita Preetam to the junior and instils the need to fight even if their own lives are insignificant in the scheme of things.

I am deeply disappointed with Vetrimaran. After the extraordinary Aadukalam, I had come to expect great things from Vetri. Over the last nine years, there is a steady downward trend as a thinker( his craft is immaculate). i never expected such an extraordinary talent to be so negative in the mindset. He had the intellect to dig deep into the human psyche in Aadukalam and has been hurtling downward since. Vetri, can you wake up please?

Andhagaram, Tamil Film, Streaming on Netflix

A bright spot from Vignarajan, a craftsman and a connoisseur

I am particularly not a fan of movies which have a paranormal quotient. Once in a while I savour films like Pizza 2,(one of my favourites).

I liked the way Andhagaram was crafted, I enjoyed the creative liberties that they had exercised. 

The reason why I used the word Connoisseur to describe Vignarajan was for one specific scene which he has so beautifully adapted from Collateral. Collateral with all its adrenalin pumping action had some profound philosophy. I am sure all of those who had watched Collateral cannot forget the last scene depicting the insensitivity of Los Angeles. I just loved the way he adapted that sequence in this film and improved it by tweaking it and introducing  an element of poignancy.

Good Work, Vignarajan. Look forward to more.

Soumitra Chatterjee

Brilliance that can never die

I have seen only one film of Soumitra Chatterjee, Ghare Bhaire. I am sharing the whole movie for discerning film viewers. Curious viewers could watch on to discover the magnificence of this actor. Discover the sheer effortlessness of his acting. Non-chalance is the word that perfectly describes his actions as he descends from the palanquin in the 20th minute and addresses the gathering for 4 minutes. Watch sparks fly as he covets his friends wife and the ensuing interactions.

The movie based on Tagore's Home and the World,  is a brilliant exploration of the Swadeshi and the liberal. The difference between the ideological shifts, the hidden motives and the true persona . 

After seeing Soumitra in Ghare Bhaire and Uttam kumar in Nayak, I have reason to believe that they could be the first amongst equals in a country of great actors.

I always believe people who have lived  a full life are always blessed and remain in our hearts forever.

I hope to catch up with Soumitra Chatterjee's work

Soorarai Pottru, Steaming on Prime Video

An exhilarating first half slowed down by a predictably templated second half

In a society where the majority feels entitled, one is happy to see a movie that drives the importance of dreams and the self confidence to achieve that despite the system. 

The energies are focused on solving the problem. Giving up is not an option.

The world is full of possibilities. No one can stop any individual from achieving their dreams. 

It is a theme that we can all savour and celebrate on this festive occasion. 

Just loved the writing for Aparna Balamurali. Happy to see a liberated progressive woman in old fashioned braids. Aparna steals the movie from the rest.

GV Prakash sizzles. 

Surya is competent. 

I only wish such universal themes do not get bogged down by the pressures  of the local markets. 

Should we not take a leaf out Gopinath's life and stop  being sentimental fools.

Happy Diwali!! to all of you.

Putham Pudhu Kalai, Streaming on Amazon

An anthology of five shorts

The acting is consistently top notch across all the five stories.. M.S. Bhaskar is the first amongst equals. 

For me Avalum Nanaum, Gautham Vasudev Menon followed  by Coffee Anyone stood out.

M.S. Bhaskar kicks in so many of those small and subtle variations in his body language. It just an education watching him.

The only problem I had with Coffee Anyone was that the concept was tweaked  from Terrorist and hence the lack of originality.

Suhasini was terrific just a notch below M.S. Bhaskar.

There are whole lot of acting performances to rave about.

I just thought that there was a possible lack of depth in all these stories.

Sillu Karuppatti last year had greater depth and more affecting.

Over a period of time, Anthology's  will become popular. It should have a market share like the series

But thanks to Amazon, we have a reasonably good anthology to watch.

Which one did you like?

The Shining, streaming on Netflix.

The pleasures of brilliant story telling

Not a great fan of horror movies, it took me all these years to finally catch up with Shining.

The absolute simplicity and the absence of clutter made the movie so much more powerful.

The shots are beautiful. The camera is so graceful, I thought would have been ideal for a different genre.  The camera takes the viewer to the tour of the hotel, introducing characters one by one, first sowing the seeds of intrigue, mystery, a sense of trepidation, followed by unadulterated horror.

I allowed myself to be teased and tantalized.

The interactions between characters are special. The acting top notch and the casting even better. Jack Nicholson's wife's face egg shaped with eyes almost popping out. The hair styling of the lady added to her quizzical look. Jack Nicholson's son, an amalgam of innocence and intelligence. 

Stanley Kubrick, is certainly one of god's greatest gifts to cinema.

I was a bit disappointed with the climax though.

Jack NIcholson was terrific and for some reason I could not help reimagining The Shining with Sivaji Ganesan  ( in his prime) as the lead,. A similar thought occurred when I saw Robert De Niro in Once Upon a time in America. Just brings back the sadness of how one of the greatest actors never got the diverse roles he deserved.

If you have not watched it, make sure you do this weekend.

The # KKR Think Tank

Mavi and nagarkotti, were matters of faith.

KKR smashed Varun Chakravarthy for 25 runs in his first over that he ever bowled and King XI in the IPL 2019 edition and he did not bowl him after those 3 overs of that match..

To pick up the very man they smashed at half the price and recognize his talent. It requires very special eyes!!

That's  some interesting thinking, KKR. Well done!! All the best

SPB: The sheer effortlessness of a genius that will overwhelm us for eternity

Deaths are of different kinds. When they are untimely and avoidable, it is difficult to accept it. Disbelief and anger come to the fore.

The torrential thundershower in Chennai  yesterday was befitting homage to the genius.. All the tears of a nation rolled into one.

I hope we never forget the damage the Chinese have inflicted on us and the world.  In SPB, they inflicted the most telling blow. I hope we really teach them a lesson. Just not in term of denial of buying their goods.  There must  be a concerted effort to beat them in every sphere of activity. 

I guess all of us remember the great songs he has sung and a smaller subsection probably remember some really great acting performances. 

Why does SPB standout?

1.  The sheer effortlessness of whatever he does 

2.  Complete involvement

3. The nonchalance with which he executes the performance

4. The joy that overflows in the act of delivering the performance.

To me these outweigh his prolific body of work and precocious genius.

We will never miss you, Sir.

We just envy the almighty who will be now regaled with your songs.

Aapla Manus, Marathi Film

Essential conversations on Old  Age

Before you get drowned by IPL, you may just want to catch up with Aapla Manus.

This thriller is an excuse to drive home essential conversations on old age, Relevant to all households in the country and probably the world.

Nana Patekar, even when vulnerable cannot get rid of the smirk and swag. Brilliant.

Must watch for everyone!!!

@C U Soon, Malayalam film

An unoriginal, disappointing and unsatisfying thriller

C U Soon follows the format of Searching. I just thought I would share the trailer of Searching so that it is a 'no brainer'.

When the movie is unoriginal, I do not understand why the makers should be so proud.

Not sure if Fahad Fasil is considering a political career. The reference to mouths being fed during COVID times I thought was not necessary. Unless you are standing for an election such  overt promotions are  unecessary.

Not sure if this can be classified as  a thriller. The movie morphed away from a thriller and went into a tail spin for the last 20 minutes.

I definitely felt disappointed and angry.

We have had enough of messages.

P.S: By the way  you can still sit through the movie, thanks to some superlative acting by Fahad Fasil. I was disappointed again in one sequence, when he had tears rolling down and I thought there was no need for him to close his eyes with his fingers.

Richard Jewell, Produced and Directed by Clint Eastwood, Streaming on Amazon Prime

‘Jewel’ of a movie

There is so much to learn, from Richard Jewell

This May 31, 2020, Clint turned 90. Richard Jewell hit the cinemas in December 2019.

Mr. Eastwood, you are inspiration unlimited.

I saw, “The Mule”, last year,  you are certainly  getting physically older. Your back is not ramrod erect anymore.

So what, your brain is as young as a new born. However inappropriate it may sound, it is so virile and fertile that senility has no chance in hell to even considering approaching you.

Richard Jewell is timeless in many ways. I was left wondering, of how the same story could have snowballed in the age of social media.

The movie is also a mirage. As understated as it feels, it manages to suck the viewer into the proceedings, and unleashes a torrent of emotions.

I wish the movie makers in our country treat their audience with respect and elevate  their style of story telling.

An explosive story that quietly moves at a brisk pace.

I was just bowled by the almost complete absence of the background music. It has the propensity to bridge the physical distance between viewer and the actual place of action.

All of those characters were sculpted with a lot of heart. And the casting and acting was top class. I thought many of those scenes were crafted to perfection, except for a single contrived sequence, of a showdown at the newspaper office.

The showdown with the FBI in the climax is exemplary. The transformation from Defense to Offense is instructive and the concluding, Can you?, is something that we want to see over and over again, to learn so much about  the art of communicating. There is also the brilliance of non-verbal communication, Sam Rockwell’s amazing smile, says a thousand words, as he walks away from the Investigation room.

Subtlety spells class. It is a fine art that we could learn.

This is a mandatory watch for professionals at work and students of life.

After seeing Richard Jewell, I also thought it is worthwhile to borrow from my own article on Clint,  in Sept 2016, when I saw Sully

Extracts from the article on Clint East word written by me in September 2016 after seeing Sully

The onscreen magic was not only an object lesson in story telling but also was an insightful lesson in Leadership, Courage, Commitment, Responsibility and Empathy

While I stayed and swayed with the understated narrative punctuated by the brooding presence of Tom Hanks, the Director seem to be omnipresent.

At 74, Clint Eastwood, paid a tribute to Sidney Lumet, who was then 80, saying that he felt like a baby.

At 86, he produces and directs a film that is sure to be nominated for the Best Picture, Best Director, Best Screenplay and Best Actor.

I wonder how he has managed, to keep his faculties intact at this age.

Understand that he deliver his films on time and keeps them well under budget.

I first saw him in ‘Where Eagles Dare’ and still remember the thrilling moment of him using the pick axe in the nick of the time to get on to the building/fort out of a fast moving cable car.

With his wooden face, I never did take Eastwood seriously until ‘Unforgiven’.

I woke up with ‘Absolute Power’, but when I did see, ‘ The Bridges of the Madison County’, one of the most beautiful love stories I realized how little did I know of him.

I saw the second part of the ‘Flag of Fathers’, ‘Letters from Iwo Jima’ for about 40 minutes and was rattled by the effort required to make that film. 

Making films are perhaps the most demanding exercises which involve leadership , creative artistry, technological grasp, detail orientation, drive, decisiveness, open mindedness, problem solving and most importantly get things done.

Mr. Eastwood has been in the business for the last 61 years.

He continues to enthrall us with his Production, Direction, Acting and composition of Music.

I am sure his best is yet to come.

Mr. Eastwood, Take a bow, Sir. You have raised the bar and perhaps given us inspiration enough, to possibly remove the word senile from dictionary.

Crossing Bridges, 2013, Streaming on Amazon Prime

Tonnes of Oxygen in the depressing COVID times

The first feature film in Shertukpen, which is an indigenous dialect native to the state Arunachal Pradesh in India.[

Experience the power of simplicity and the lack of clutter set in huge vacant spaces caressed by mountain ranges and unending horizons.

As the son arrives, the mother momentarily does not know really how to react and then walks slowly up to her son to give one of the warmest endearing hugs. 

In turn we get an opportunity to hug those huge vacant spaces punctuated by those crystal clear streams and those lovely  dead trunks of the tree that serves as bridges. We also get to savor the most lovely quietness which is disturbed by the birds that constantly chirp.

There is of course the reference of the Chinese incursions, but more interestingly the innocence of the children that seem to wonder Arunachal Pradesh's relative obscurity in the scheme of the Indian nation.

There are no achievements that beckon these gentle souls.

Gentle souls that savour the wind, water, fire and the snow !!!!.

A life of contentment , that probably holds the answer to the travails of the modern man.

If you are cinema lover, and have a bit of patience, you will be served to an unforgettable treat.

P.S:

Notes on Production from Wikipedia

Director Sange Dorjee's idea for the film started when he was considering the social and economic displacement of tribal peoples of India. He mentioned that "My generation has had to leave home to get better higher-education and employment outside as the north eastern region doesn’t have the required infrastructure. The huge cultural difference we faced outside was always a shock to many. Coming back home has always been a difficult proposition, as after years of adjusting to the life outside we suddenly feel like an outsider in our own culture."

Due to the film's microbudget, which was wholly funded by the director's father who "believed it was important for the community of Arunachal Pradesh", Dorjee decided to shoot the movie completely with a Canon 5D camera. He was surprised by the quality of such a standard personal use camera that he and cinematographer Pooja Gupte went ahead with it

incidentally the film was made on a budget of Rs. 35 lacs.

Penguin

A laughable dedication to motherhood

I shall remember Penguin, for the name of its protagonist, Rythm. what a lovely name. With a speckless face, a straightened hair, gorgeous costumes and great body language, Keerthy Suresh, reminded you of the grace and class of Audrey Hepburn.

But Alas, so much for the grace and class, the movie by itself, is crass personified, dives into an abyss, that seemed far more bottomless than the word itself.

The film takes aeons, to unfold, giving you the impression of watching the film for five hours. 

The writing is pathetic full of holes and inconsistencies

I assume that the producers have configured that they want to produce a film based on a genre and worked backwards in making the film.

There has been so much of concepts that have been borrowed and darkness itself has been force fitted into the narrative that seems not too reflective of Karthik Subbaraj'  style, who normally has a lot of fun making a movie.

Karhtik Subbaraj should be ashamed of producing this movie and so must the censors for allowing the release of the film. 

Discussion of explicit details of despicable crimes and the disgusting pleasures of perpetrating such a crime, can be avoided.

There is always the discussion that, Does art narrates stories from life or does Llfe replicates stories from Art?

However, most certainly the same story could have been narrated with a lot of fun and action, devoid of darkness, that is not necessarily needed, especially in these times.

This Penguin is a repellent.

PS:

In real life, would it be so easy to steal a Penguin's egg, without somebody else knowing it??

Choked: Paisa Bolta Hai

Attaboy Anurag!!

Choked is a clever, concerned, creative, candid, compassionate and critical  commentary laced with wit, sarcasm and black humour  and has the unmistakable stamp of Anurag Kashyap.

The reference to clogged drainage is again as much a distraction as the undercurrent of the narrative on demonetization.

Choked are the souls of protagonists trying to redeem themselves of their defeats and setbacks that seem to haunt them. 

While the narrative on demonetization is a distraction, there are a few creative liberties in the demonetization stretch, which bring a smile to your face.

The way the demonetization is announced by one of the characters is nothing short of brilliant

The positive impact of demonetization, while never explicitly discussed is so cleverly used as the movie unfolds.

The ensuing "kuthu" song in Tamil after the announcement of demonetization, is another interesting creative  liberty. The song captures the mood of ensuing confusion that kicks in after  the announcement of demonetization. It is hilarious to see some Bhangra thrown in for a fraction of a second to the "Kuthu" tunes.

As the banks open up and the Sardar comes out valiantly after getting his quota of Rs. 4,000 for the day and takes a Selfie, in true Anurag mode the scene toggles to an old lady, haggard and tired, braving the queue requesting for some additional money that will save her trouble of not needing to come again, there is a poignancy that is laced with anger.

The narrative is suspenseful and I liked a particular scene which seem to be clearly inspired from Roman Holiday. 

It is just heart warming to note that good old integrity remains the greatest virtue and hope for mankind.

P.S: 

BirdMan's backgorund score has been tweaked throughout the film. While it is fascinating, just in case the tune was not brought or permission not taken, I feel that this is blatant plagiarism. Certainly not expected from Anurag Kashyap and Amit Trivedi.

'Uriyadi 2' bails out 'Ponmagal Vanthal'

There is a wonderful saying in Tamil " Tharmam Thalaikakkum. Thakka Samayathil Uyir Kakkum" roughly translates something like,  The Dharma that you accrued through you Karma  can save your life  at the right time.

I will like to take this opportunity to dwell upon the important "Uriyadi 2" produced by Suriya. I got to see "Uriyadi 2" in Netflix after a while it was released. As a movie it had its elements but failed to sizzle like its first part. 

But 'Uriyadi 2' is one of the significant movies that reenacted the Bhopal tragedy graphically. A very important moment in our history that every one of the Indian citizens need to relive, understand, introspect and feel miserable.

I guess Suriya needs to be commended for the fact that he produced an extremely important work which probably really did not reach as many people as it should have.

I guess Suriya's great stroke of luck that he managed to sell "Ponmagal Vanthal" through OTT Channels.

Despite the "Thailmarakalin Atharavu"(the support of the ladies) this pathetically made movie would have bit the dust.

May be the good deed of having produced , 'Uriyadi 2", Suriya saved him from a certain box office catastrophe. 

P.S: 

For the  husband and wife duo who want to be another Samuthrakani, I still believe all they need is a good script, a good director.

May be they should seriously consider adapting "Revolutionary Road" and act in it themselves. It will set ablaze the hearts and rip it apart too. Jyotika  in a way is in the mould of Kate Winslet and will be a perfect fit. The movie has plenty of messages too.

Paatal Lok, Streaming on Prime

A brilliant subtext and a searing social commentary.

A not bad thriller, that is probably insignificant, given the intent and the ambitions of it makers.

Not a single  opportunity is wasted to examine the plight of the mere mortals, the pawns, that seemed to get tossed and torn by the powers that have us in their vice like grip.

Perhaps, I did not view this as a thriller at all. The genre was an excuse to look at the systemic decadence, malaise and a farce that has set in. The sub text and the social commentary for me made the thriller insignificant. Most importantly movie focused on human redemption and the win loss column as perceived by the individual was more important than that imposed by the society. In exorcising his ghosts out, a visibly relieved Hathi Ram ( the protagonist), redeems himself in the end. 

The underlying message is the same as that of 'Jaane Bhi Do Yaaron"(only the genre differs) that nothing much can done about the system, but this movie goes one step ahead, and drives home a bonus, that individuals are masters of their destiny. irrespective of systemic malaise, we are the ones that control our fate.

At the end you felt like having watched SONI instead of an Ardh Sathya, 

Try not to miss this!!!

Devasuram, 1993, Malayalam Movie

Streaming on Amazon Prime

A Mohan Lal mesmerizer

I was just wondering how in the world did I miss this addicting drama, with its innumerable twists all these years. A great Masala Mix. Takes a while to take off, but once things start settling down, you just cannot have enough of Mohan Lal.

Mohan Lal is so virile even when is mauled by truckload of Goondas. It is such a treat to see Mohan Lal simply appear on the screen. 

Mohan Lal is probably at his charismatic best. I did not mind, what he was doing, I think he never looked this good in any of his movies. Was it the eyes that mesmerized you?  Was it the swag that bowled you over? Were you bewitched by the kindness that replaced the cruelty effortlessly? Not very sure, if Lalettan uses those facial muscles very much. I think he uses his eyes to great effect, combined, with intoxicating voice modulation and effective body language to hand a knock out punch.

You don't want to miss Devasuram, for Mohan Lal.

40/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Chandralekha, 1948, S.S Vasan and Avviayar, 1953, Directed by Kothamangalam Subbbu and Produced by S.S. Vasan

This is my last edition in the lockdown series. Here is hoping that the lockdown will be removed on the 18th May 2020. Stay Safe.

The best and the greatest achievements are always reserved and to savoured last.

Subramaniam Srinivasan (4 January 1904 – 26 August 1969), popularly known by his screen name S. S. Vasan, was an Indian journalist, writer, advertiser, film producer, director and business tycoon. He is the founder of the Tamil-language magazine Ananda Vikatan and the film production company Gemini Studios, Gemini Film Laboratories and Gemini Picture Circuit. He was a member of parliament (Rajya Sabha) from 1964 and served his term till his death.

The greatest risk takers are the ones that have perpetually propelled the fortunes of this planet. Risk takers may look foolish many a times, but their actions have always benefited plenty of people.

Vasan is supposed to have produced Chandralekha, the first film outside United States in 1948 with a budget exceeding a million dollars.

Chandralekha took five years to finish. And nothing was the same from start to finish. The script, cast, budget, directors everything changed. And in a trade where mountains of cash vanish into thin air, even Mrs.Vasan’s jewellery took a heavy beating. The fantastic sets of palaces, moat and draw-bridge were not cardboard structures but could withstand the weight of riding horses. (Courtesy Venkatesh Ramakrishnan, 2018, DT Next)

Chandralekha was released on 9 April 1948. Although the film received generally-positive reviews, it did not recoup its production costs. Vasan directed a Hindi version with some changes, including re-shot scenes, a slightly altered cast. The Hindi version was released on 24 December of that year, becoming a box-office success. Southern cinema became prominent throughout India with the film's release, and it inspired Indian producers from the south to market their Hindi films in the northern part of the country

Avvaiyar, 1953

As good as it gets

Courtesy Wikipedia:

Vasan wanted to make a film on saint poet Avvaiyar from 1941 and had given instructions to his story department to conduct research on the life and times of the famed poet and work on a draft script. More than two years were invested in the research.

Vasan screened the rough cut of Avvaiyar. His friends, staff members and their families were invited and asked to give their opinion in writing. Vasan would study all the material carefully. Well-known journalist of Ananda Vikatan who wrote under the pen name, 'Kadhir' explained that the film was slow, crawling on leaden feet with practically nothing much happening at all! It had Sundarambal walking slowly most of the time. It looked more like a documentary and not at all like a feature film. Vasan stared at him for a while and then smiled. He told his team that Kadhir was absolutely correct! He too had the same opinion and wanted to have a second opinion. He told Subbu and others that the film lacked entertainment. Immediately, he ordered the screenplay to be rewritten incorporating sequences of entertainment to elevate the box-office potential and audience appeal of the movie. That's when the sequence of the grand reception by the ancient Tamil king Paari to Avvaiyar was written to be woven into the script.

Subbu wrote it, making it an entertainment extravaganza on its own and the sequence was shot at considerable expense. An entire street set was built at a cost of Rs. 1.5 lakh, which was big money in the 1950s. Over 10,000 junior artistes took part in the spectacular sequence into which traditional folk dances were incorporated, creating a majestic visual impact on moviegoers. The sequence proved to be one of the highlights of the film.

#39/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

A.V. Meyappan, AVM Studios and T.R. Sundaram, Modern Theatres

Born 12 days apart, in July 1907, these two gentlemen contributed to the Tamil industry like nobody's business.

T.R. Sundaram, Born 16th July 1907

During my research on Sridhar, I understood that while working in Modern Theatres as writer for the film Maheswari, Sridhar had an opportunity to improve his knowledge and skills about film production.T. R. Sundaram had a huge library of international books about great films and directors, about film production, critical and technical essays.

T.R. Sundaram's seems to have got into film production like A.V. Meyappan around the mid thirties. 

He produced and directed several films in Tamil, Malayalam, Telugu, Sinhalese and English. A total of 96 films were produced at Modern Theaters of which 56 of them were directed by Sundaram. These numbers could be slightly different. i guess this gives a good idea.

Among his several achievements he has also the credit of producing the first Malayalam Talkie film and also the first colour film in Malayalam. 

When the zoom lens was not invented, Modern theatre replicated the zoom lens for their film Ponmudi, and were recognized for their effort by the French government. 

One of the interesting experiments which Modern films did was to seek opinion to cast the hero and heroine in their film in the 1940s.

Interestingly their film Sow Sow, 1963, (courtesy wikipedia) the first film to have three separate stories within the same film.

They were also the first produce a film in geva colour and may be they were the first to come up series/sequels through their "Vallavan" movies.

They were also possible in the rise of MGR as a bankable star giving him a clutch of hits.

Today's movie recommendation is Alibabavum 40 Thirudarkalum and Vallavanukku Vallavan

A.V. Meyappan, born 28th July 1907

A.V. Meyyapan, started producing films at about the same time as T.R. Sundaram in the mid thirties.

While AVM Studios may have produced about 300 films, there is a distinctive difference in the quality of the films produce till Mr. Meyyappan, senior himself was at the helm of affairs.

There can be no production house which can boast of making so many clean socially conscious films providing wholesome entertainment.

I guess it is important to note that Mr. Meyappan started his business during the pre-indepence era and the independence movement seems to have lifelong effect on him.

Business was important but the quality of content and the choice of subjects were equally important.

Today's movie recommendation:

Naam Iruvar and Vedhala Ulagam, Both of these films were enriched by Bharathiar Songs. The comedy in Vedhala Ulagam will have you in splits.

Mr. Meyyapan's work and life deserves greatest respect. But it is with regret that I would like record my disappointment that his sons never bothered to respect their father's philosophy.

While most of the movies they produced were commercially successful, they bordered on the substandard, except for a few. While most of the work is eminently forgettable, they will never be absolved of the crime of producing "Sakalakalavan", a most degenerate movies of our times that pushed behind Tamil Cinema by 10 years . I have no mind to forgive Ilayaraja and S. Janaki for "Nila Kayuthe". When the culture of speakers blared across the nook and corner of the state, Ilayaraja and Janaki did yeoman service, knocking of innocence across a large section of population. 

Alas, making money alone seem to have become the motto of this great production house!!!

#38/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Nenjil Oru Alayam, 1962, and Kadhalikka Neramillai, 1964, CV Sridhar

This edition will be coming to an end on Sunday. 

Reasonably good works of talented film makers and their creations between 1970 and 2019 have been discussed.

I had the opportunity to visit only 4 films between 1950 and 1970.

In these 3 days, we shall discuss the contributions of 4 giants of the Tamil Industry who contributed to the rise of Tamil Cinema.

C.V. Sridhar was supposed to come up in the fourth installment of this edition and somehow got missed out.

It would have been a crime to have not written or discussed about C.V. Sridhar, a prolific film maker, who made 60 films in all across, Tamil, Hindi and Telugu.

Sridhar is one of the finest film makers who understood the visual medium so well. You may well just sample the climax in Sumaithangi, and get a taste of that stunning climax. In the context of Tamil Cinema, where reels and reels of dialogues where doled out, Sridhar's protagonist, does not defend his decision but merely walks away to the utter dismay of his relatives/friends. A visual speaks a thousand words. 

Is also arguably the first director to have addressed the three act structure of the screen play. Extraordinary was his ability to conjure those variety of shots. Sample "Sonnathu nee thana", in 'Nenjil oru Alayam' and be prepared to be drenched in the magnificence of the variety of shots. These shots daintily dance to the music. 

Sridhar will be the man who will remain probably the only film maker who was extremely comfortable in Comedy and Tragedy, one for the brain and one for the soul(heart seems to be an inferior choice, given Sridhar's quality of grief).

Between comedy and tragedy, Sridhar seems to be more comfortable doing the tragedy. He seems to be in seething anger against the path of destiny and uses it as an excuse to explore the goodness that is innate within the human being and the Himalayan heights that it can soar and redeem itself. 

His comedic pursuits paid rich dividends, thanks to his association with Chitralaya Gopu. Kadhalikka Neramillai, will remain one of the best ROM COMS for me. I find it difficult to choose between Anbe Vaa and Kathalikka Neramillai.

Whether it was a comedy or tragedy, there was no clutter in his films. Great story telling. Sridhar's association with cameraman A. Vincent, ensured that his movies were that much aesthetically shot. So much more was packed in a frame

Sridhar, will always be remembered for his great song selections. Not only did he revel in those great songs that adorned his pictures in the 50s and 60s, he had Ilayaraja compose Ninaivellam Nithya and Thendraley ennai Thodu, with some gold standard numbers.

Sridhar, always young, super stylish had a significant western influence. 

An unforgettable film maker, who lives in our hearts forever.

37/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Today we shall focus on 25 important films which influenced us since 1990. 

Except for Bharathiraja, whom I had already visited in this series all the other 24 directors and their work, have not been discussed till now.

These works are either world cinema, cult classics, great works of art, commercial block busters and/or great initiatives that were ahead of times, works which greatly influenced the growth of cinema itself and representatives of how the society itself wanted to break free of the clutches imposed on them. 

Thanks to all these film makers for enriching out lives beyond measure.

Here is the list and a brief note

1. Puthiya Pathai, 1989, Parthiban

Parthiban has been a great gift to the Tamil industry, While Puthiya Pathai was a heart wrenching experience, Parthiban has been one person who has experimented so much until the recently released Otha Seruppu. Parthiban may very well surprise us with something spectacular in the future

2. Kizhakku Vasal, 1990, R.V. Uthayakumar

This is a super special offering from R.V. Uthayakumar, with scintillating music from Ilayaraja. While Karthik, Revathy, Janakaraj and Khusbhoo vie for acting honours, it was Shanmugasundaram who stole the show. Vijayakumar in a way was also unforgettable in the role.

3. Amaidhi Padai, 1994, Mannivannan

A cult classic. Sathyaraj and Amaidhipadai have their place in the hearts of Tamil cinema viewers. 

4. Aasai, 1995, Vasanth

Vasanth is one of those directors, who should have accomplished a lot more than he has. Aasai was a very satisfying thriller and some people feel that Aasai is a clever tweak of Uthiripookal. By the way, Not sure, if I read somewhere that Yugi sethu had unofficially written the script for Asai

5. Gokulathil Seethai, 1996, Agathiyan

While Agasthiyan is celebrated for Kadhal Kottai. I liked Kathal kavithai, Vidukathai and Gokulathil Seethai. An interesting and important story especially about the importance and the capability to take decisions. 

6. Anthi mantharai, 1996, Bharathiraja

A lovely love story of the elderly, with some great performances by Vijayakumar and Jayasudha. I liked it very much when I saw it in 1996. never got to see it again

7. Kadhal Desam ( 1996), Kadhalar Dinam (1999), Kathir

The signature style of Kathir in narrating the love stories in a grand manner is unique and that much more adds flavour to the variety of Tamil cinema

8. Kauppu Roja, 1996, Panner/Abavanan

Abavannan and the students from the Film institute did their bit to enhance the quality of Tamil Cinema. Abavannan wrote the story for Karuppu Roja, which was the first DTS cinema. Its first shot to educate the viewers about the possibility of DTS is unforgettable. I loved the action choreography in the second half and I thought with limited budget the team aimed high and reasonably executed the film well. I saw it a couple of times in Abirami when it was released and it was quite a spectacle on the big screen

9. Kadhalukku Mariyadhai, 1997, Fazil

A cult classic. Two actors or shall we shalll the two actor's eyes, Srividhya and whoever acted as Shalini's mother, alone ensured that the movie was catapulted to rarefied heights. The climax is unbelievable stuff and reasons why we go the movies.

10. Soorya Vamsam, 1997, Vikraman

A simple story that will have timeless appeal. An evergreen classic. Shall we say this is Vikraman's best?

11. Terrorist, 1998, Santhosh Sivan

Dil Se and Terrorist, two films on suicide bombers were produced by Madras Talkies at the same time. Terrorist was sold possibly sold to john malkovich. We now, only have the title that says, John Malkovich presents. Santosh sivan is in great form and we wonder why he does not make more movies as much as he should. Arthouse variety. Demonstrates that we can make world cinema and as good as anybody should we decide to put our hearts. And Oh! yes, btw, he was the cinematographer who was recently shot Darbar!!!

12. Vaali, 1999, S.J. Suryah

I remember taking my office mates to this movie at Devi cinema and they were quite unimpressed at the beginning, and as the movie progressed, the entire cinema hall was in tensed silence. It had an instant appeal and will remain an instant cult classic. By the way, beginning with Vaali, Simran swayed ('Nilavai Kondu Vaa') the consciousness of the Tamil youth for another five years till her Tappanguthu in Pithamagan. 

13. Bharathi, 2000. Gnana Rajasekaran

One of the most important films on one of the most important Indians who will influence the thinking of Indians and Tamilians for ever. Gnana Rajasekeran went on to make films on Periyar and Ramanujam. I had the pleasure of meeting Sayaji Shinde in 2014. Wanted to understand why he did not get the best actor award. I believe that his voice was dubbed. A great performance which helped, effectively narrate the story of the grand old man of Tamilnadu, that reached a vast section of today's youth.

14. Kandu Kondein Kandu Kondein, 2000, Rajiv Menon

A warm story, with a grand visual appeal and a grander music from A.R. Rahman, The movie may be forgotten but not A.R. Rahman's music.

15. Ramana, 2002, A.R. Murgadoss

A.R. Murgadoss started his career with Ramana at about the same time as Boong Jon-Ho. While in 2020, Boong Jon-Ho won the Oscar, Murugadoss ended up making Darbar. If you had an opporuntiy to watch Host(Boong Jon-Ho's first film) and Ramana, you will for sure be able to understand, that Murugadoss's understanding of cinema is top class and certainly no less than Boong Jon-Ho. After his extraordinary first film, one feels sad that Murugadoss has slowly allowed himself to drift. Ramana is one more unforgettable film in the great films made in Tamil cinema history.

16. Kakka kakka, 2003, Gautham Vasudev Menon

GVM's best till date. Super fast, Slick and a pure adrenalin rush. Thrilling, disturbing and dark. Technically brilliant. It is another unforgettable film in the Tamil cinema history

17. Mozhi, 2007, RadhaMohan

Radhamohan and Prakash Raj(producer) made clean entertainers, and came up with Mozhi, Abhiyum Nanum, Payanam and others films. They tossed up lovely comedies with great social messages. Mozhi is a wholesome comedy that has an unforgettable quotient.

18. Kanchivaram, 2008, Priyadarshan

The wildly talented, Priyadarhsan continues to be a prolific film maker. His variety of films is very rich. And some of it is rubbed in Tamil cinema, the superlative Gopura Vasalile and the thought provoking Sometimes. But Kanchivaram is special.

19. Arai En 305, 2008, Simbudevan

Simbudevan's 23am Pulikesi is cult classic. For Arai En 305 was far more ambitious and aspired to raise the bar for Cinema as well as the audience. What if God is tripped of this powers?Content rich, it had you thinking on some of the fundamental aspects of life. If I remember correctly, After all the years. V.S. Raghavan who had been typecast had a great role in Arai En 305

20. Anjathe, 2008, Mysskin

Myssins' best till date. He mixed a good thriller with melodrama and sentimentality and the end product was extremely heavy. It is another slice of unforgettable Tamil cinema

21. Eeram, 2009, Arivazhagan

Now this is possibly one of the most underrated films made. To me this movie is near perfect. Can a horror/thriller be so pleasant? Have always been surprised that Adhi, who was so good, never got the really big breaks. The look and feel, the music and the bewitching pace of the film all made this inot one heady mix.

22. Madrasapattinam, 2010, Al Vijay

Could Chennai/Madras' s history have packaged so well. AL Vijay after making this extraordinary movie flattered to deceive. One would have loved to see a better filmography. I remember Madrasapattinam for the brilliant cameo by my Facebook friend, Karthik Tmk. 

23. Engeyum eppodhum, 2011, M. Saravanan

Charming love stories narrated in a sizzling way. The climax was brilliant. It found its way into the heart of all Tamil Cinema viewers

24. Kalyana Samayal Saadham, 2013

This finds its way in this list for its content and courage to discuss issues that normally do not get discussed. The bar was raised and we had a cute film that shred hypocrisy to bits. 

25. Kuttra Pathirikkai, 1991 - 2007

You may be surprised why a flawed and a failed film finds its way into the list of 25. America had the guts to make JFK and Malcolm X almost at the same time. In a democracy, different points of view, need to be at least heard. 

Around the same time R.K. Selvamani, launched Kutra Pathirikkai to make a film on the assassination of Rajiv Gandhi. 

The makers of Kuttra Pathirkai had to run from pillar to post between 1991 to 2004 to get their film released and then when the film was released in 2007, after cuts its had morphed into a love story. Not sure of how much he must have lost, probably a good portion of the prime of his youth. As a film lover and a fellow citizen, the least I can do is write a note of admiration. Here is celebrating the perseverance of Selvamani and his collaborators.

What a shame!!! I guess people need to have their freedom to express their points of view. We can either choose to agree with it , react to it or ignore it, but for heaven's sake let us not shut the mouth of individuals with whom we do not agree!!!

I may have missed other good works of cinema. No offense meant. Look forward to great cinema in the times to come.

36/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Autograph, 2004, Thavamai Thavamirundhu 2005, Pokkisham, 2009, Cheran

In the next five days, intend to focus on important film makers and films that I may have left out in this series

Between 2000 and 2010, Cheran strode like a colossus in the Tamil Cinema.

Besides the above three he made equally moving films like Porkalam, Bharathi Kannama and Pandavar Bhoomi.

Cheran was ever socially conscious, and aimed for the heart.

Autograph was a clarion call for the youngsters to get hold of themselves and fight.

Thavamai Thavamirundhu could pass of as an ode to Ramayana and the father. I looked forward to Thavamai Thavamirundhu when it was released in 2005 and saw it Albert on the first day first show. It took of from the first frame and you had a moist eye all along the three hours and twenty four minutes of the film.

Pokkisham was truly a Pokkisham (treasure). It is not easy to adapt Bridges of the Madison County. It is probably a great tragedy, that Pokkisham was not accepted at the box office. Pokkisham was all poetry, and one of the most underrated GEMS of unrequited love. 

Cheran, will always remain in the hearts of cinema lovers as one of the greatest talent of Tamil Cinema, who could have made atleast 5 good films between 2010 to 2020.

35/40, #lockdownenrichmentforthesoul, Tamil movie recommendation

Super Deluxe, 2019, Thyagarajan Kumara Raja

Four writers Thiyagarajan Kumar Raja, Nalan Kumaraswamy, Myskkin and Neelan K Sekar, together worked together to get Super Deluxe right.

I guess they took their own sweet time to get things together, but the end product is worthy of their efforts.

Not sure if any other film ever attempted to discuss the deepest philosophy through the the most easy to understand stories.

This movie is also another classic case where the writers and the film maker is having a lot of fun.

We can wait for Thyagarajan Kumar Raja, for probably another 8 years, I am sure we may have nothing to complain.

Here is my brief review of Super Deluxe when it was released

Profound and Stunning

Five star film making, that teases, tickles and at the same time sets you thinking about the travails of human existence and journey.

While many of the stories may be have been borrowed and adapted, the movie raises the bar, and is a much needed social commentary, that is bound to trigger a lot of conversations.

I am not really bothered that the film may have been influenced by other works of art, but to me, the movie questions the quintessential HYPOCRISY that engulfs our society.

Rajajgopalachari, would have been mighty pleased, that his short story "Hunchback Sundari", has been adapted beautifully, into the Vijay Sethupathi segment. Sundari's daughter always saw the mother as beautiful. the form(her hunchback), was not significant. Here the Hunchback has been mapped to a transgender. The profoundness of the concept needed be retold and I am so glad somebody adapted it this well.

While I enjoy Vijay Sethupathi, I always though he has a knack of making an impact, despite being repetitive. The look and feel would change, but we would end up seeing only Vijay Sethupathy. Mercifully, he has an opportunity to get to play the role of his life time, making our hearts melt.

While all acting performances are near perfect, Bags, Bagavathy perumal sizzles. His eyes are menacing, villainous and lecherous. The swag adds to the sizzle.

The technical quotient of the film is top class and so is the music

Hats off, to the entire team to put this together for a common man to savour and ultimately be able to think on the most profound philosophies of life.

Watch it with ADULT FRIENDS and ADULT family members and indulge in conversations, that are very much needed.

The Acceptance of Super Deluxe is also an indication whether Tamil Nadu/India is evolving.

34/40, #locdownenrichmentforthesoul, Tamil Movie Recommendation

Mari Selvaraj is another talent to watch.. He is a master story teller. Understand his roots so well. Pa. Ranjith's Neelam production is also another production house to watch out. 

Whether you subscribe to Pa. Ranjith's philosophy or not, you have to respect his earnestness. 

Irandam Ulaga Porin Kadaisi Gundu, his second movie from his production house is equally thought provoking. Pa. Ranjith's understanding of arts is top class. . He is certainly here to stay, to produce interesting movies that will provoke essential conversations. 

But there seems to be an under current of deep resentment and anger that seems to run through. It is but natural. However I think film makers like M. Manikandan may have answers to a more effective approach. 

Positive strokes, can be a better catalyst. 

MS and PA, Look forward to great movie experiences. BTW: Please do not waste you time on making movies like kabali or kala.

Here is my review of Pariyerum Perumal when it was relased.

Pariyerum Perumal. 2018, Mari Selvaraj

After the disappointing CCV of Thursday ,Paradise had been lost, but by Sunday evening, thanks to Pariyerum Perumal, Paradise was regained.

I could never imagine an opening, the elegy on the death of Karuppi, a mongrel, could set the screen blaze, and pump your adrenalin, a tad, faster than a James Bond film, opening.

Wow, Santhosh Narayan, we are truly blessed.

Between the elegy of the death of Karuppi, and thought provoking poetic ending, is a known tale, retold masterfully by Mari Selvaraj, aided by technical brilliance and top notch performances.

Kathir is terrific as Pariyerum Perumal. His eyes are so sensitive and intense, fluctuating between tenderness, sadness, happiness, hurt, resolve and anger. Not to miss out are his vigour and vitality. That represents an actor with a great range of abilities,

Well, I am not letting out the cat out of the bag, but I was blown over by the Assasin's character and his values. I have always admired Jackal, in the Day of the Jackal, as the greatest professional, once commissioned, never needed any follow ups, There were quite a few things to learn from this assassin, as well. Thanks to the writer and the director, for coming up with this character.

Go watch, Pariyerum Perumal to experience the magic of film making!!!

33/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Kakka Muttai, 2014/2015, Andavan Kattalai, 2016, M. Manikandan

Innocence and Integrity

Manikandan is one of those wise young men, to watch out. Mercifully one of the few directors in Tamil Cinema who has extraordinary social consciousness and yet never gets bogged down by the CASTE FACTOR.

The social commentary is conspicuous, underlined by a lament, but strives to focus on positive energies that can unleashed from within.

There are no villains, and as he mentions in an interview, the situation is the villain.

In all the three films that he has written and directed, the writer dominates the proceedings, and it so heartwarming to note that the smallest of the small characters are so thoughtfully constructed. or shall we say, sculpted.

The negative emotions are dumbed down, even the sarcasm is always diluted, the wit and charm overpowering the sarcasm.

There is a certain sense of idealism and the timelessness of the values that propel, his movies, as endearing and enduring messages of hope.

Kakka Muttai

Innocence

There are so many interpretations of Kakka Muttai, for me the innocence of the Junior and Senior Kakka Muttai, will always be indelible from my hear and soul.

The loss of innocence may the greatest damage done to our social fabric

Watch the eyes of kakka Muttai, there are oxygen for your soul.

Andavan Kattalai

Integrity

We had Hrishkesh Mukherjee make Satyakaam and K. Balachander remake Satyakaam as Punnagai, one of the best movies made on Integrity.

Manikandan writes a pleasant tale on integrity that most certainly would have reached nook and corner of the lowest strata of the society.

With his characteristic humour that runs right through, Manikandan, narrates a simple story, that surprisingly unfolds with many layers that seem to be peeling of scene after scene.

It is so light and yet clever and there are incremental laughter's, scene after scene.

Vijay Sethupathi is a natural and he hardly seem to be acting. The charm of Vijay Sethupathi is asphyxiating. He enhances the proceedings by light years.

Rithika Singh, is intoxicating, providing a perfect foil for Vijay Sethupathi.

You just cannot have enough of Yogi babu's swag. 

There is an army of others including, the Judge, the lawyers, the Regional Pass post officer, the administrative officer at the passport office, the Pimp at the passport office, the real estate broker, the mother, the sister, the brother in law, the racketeers, the Srilankan Tamil and eve the interviewing officer at the British Commission who are all flesh and blood of characters who adorn our daily existence.

Watch these two films today, I guarantee you that you will be as refreshed after taking a bath in a flowing river.

32/40, #lockdownenrichmentforthesould, Tamil Movie

Iraivi: 2016, Karthik Subbaraj

When Iraivi was released in 2016, the audience was divided over the film. A deeply disturbing film, this is certainly not easy viewiing.

Iraivi is a priceless gem as 'discomfort' is discussed in style and ease. A rare occurrence in Tamil Cinema. 

These are topics that will be timeless and provide a great opportunity for a society to have a conversation.

Karthik Subbaraj's versatility is unquestionable and will end up surprising us in times to comes as well.

Here is my review when the movie was released.

Iraivi : As poignant as it can get

Ever since I saw Iraivi last Saturday, it has been intersecting with my consciousness continuously. Thoughts have been triggering on so many fronts that I seriously do not know where to begin.

At the outset, Karthik Subbaraj, has to be commended for coming out with a film that is different from his earlier two successful films.

Iraivi is as hard hitting as it can be. The message is there and so are the messengers, but well there is no sermon!!! That is a leap in story telling!!!

Rip, Rip and Rip. The social fabric is being ripped every second right in our front of our eyes. We may even contribute to it unknowingly!!! We meet many ‘Iraivis’ in our day to day to lives.

It is just not enough that a man marries, but he has a responsibility to his wife and his child as well!! Alcoholism and emotional foolhardiness adds upto shackling families for generations together.

I see an ‘Iraivi’ in my house for the last twenty one years. Rani, our household maid. Earliest images of her were coming to the house in 1995 with her two years old to perform the household chores. She had three sons. Her husband was a drunkard. She had the responsibility of raising the three sons. Two of them were lost around 2000 to be found after a gap of 11 months. She lost her husband to alcoholism and one of her son’s committed suicide at a later point of time. The eldest son got married recently to leave her to fend for herself with her last son. Her last son in the early twenties pursues amorous activities, continuing to agonize her. She lives with endless debts. Always at the edge, battling as hard as she can. Will this Iraivi, ever come out of her ‘circle of misery’?

I initially thought that women of Iraivi, were probably shown very dependent on men. Probably the women seemed a bit belonging to the 70s and 80s. In fact I was reminded of Mirch Masala, where Smita Patil would confront Naseerudin Shah boldly, but when her husband leaves the village, Smita Patil would not be able to draw upon similar courage to confront Naseerudin Shah in a similar encounter. Would the women of 2016 be so dependent on men?

Well I do not think the director meant it as an affront to the ladies, as the script is a conscious effort to drive home a much bigger point.

As to the matters of heart and mind, the education or social strata may not have a direct bearing on their behaviour

Despair stares almost evenly at different women, but different choices are made. Anjali’s at lower strata of the society, is shocked, but smoothly transitions to resolve, but Kamalini Mukherjee, the educated working women is unable to come to terms with reality. Subtlety at its best.

As in Jigarthanda, Karthik sizzles in the climax. In fact the climax lingers and steadily grows on you.

You could feel a bit of Fellini, Innaritu and the good old bard, but Karthik Subbaraj with his inimitable style stands tall and ‘hefty’.

I felt I got into a boat and allowed myself to enjoy the ride with Karthik, the boatman, taking me through a pleasurable ride. The river could have had its quota of turbulence, but the boatman was in complete control.

Frankly I did not get disturbed after seeing the film, I was refreshed and relaxed and satisfied that responsible cinema could be in most palatable commercial format.

I was also happy to see people accepting it.

Thanks, Karthik, for respecting the audience and raising the bar!!!.

We want some more, We want some more.!!!

31/40, Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Mundasupatti, 2014, Ram kumar

Mudasupatti, combined the lovely charm of the village, recreating the nostalgia of the 80s, wafted with the innocence of the villagers, tossed it up with the a gentle romance and served it in slow burn style that cooked up into explosive laughs.

Ram Kumar came back 4 years to serve the taut Ratsasan. He is yet another director to watch out.

Here is my review of Mundasupatti, when it was released in 2014

Mundasupatti(The village of Turbans), Tamil Film: The perfect idiot, just got better

One helping the Sunday before last was not enough, and the second helping today seemed to have only increased my appetite for Mundasupatti.

The epitome of a perfect idiot has always been Kali N Ratnam, in Sabapathy, the 1941 flick, produced and directed by AV Meyyapan(AVM). Mr. Ratnam effortlessly deep dived into moronic activities punctuated by eye popping stares which sent us into a tizzy. The record for the perfect idiot which stood in the name of Kali N Ratnam, for a period of 73 years at last has been broken by Ramdas, who enacts and emotes the moron MunishKanth, with aplomb. The perfect idiot just got better. Munishkanth will be remembered for a long time to come, not that we will be able to forget the senior Mr. Ratnam.

Not that others are left behind. In almost equal measure, Kali, the hero’s side kick, manages to steal the thunder from Munishkanth with his wisecracks and whispering one liners. They do come fast and furious. Munishkanth gets the edge over Kali simply because we are familiar with characters like Kali.

Oh! Yes, Vishnu sends your heart into a flutter, and charms you with his smile, dimple, a wig that fits him like a glove and seems to float around the screen as if he were on moon. And yes, he does resemble, Akshay Kumar ,while he smiles. He is a joy to behold.

Nanditha, is a recreation of Bhagyaraj heroine of 1980s, and reminds you of Sulakshana in Thooral Ninnu Pochu. Her eyes, does all the talking. It is wonderful to see the half saree adding to so much of feminine grace. Don’t you think the death sentence given to the half sarees by the ladies in TamilNadu should be reconsidered?

Remember a few years ago, “Azhagar samiying Kuthirai” pulled the carpet under Zindagi Na Milegi Dobara to win the best picture for popular entertainment. Mundasupatti is clever morph of Azhagar samiying Kuthirai.

And to the man who makes your rap all the way through a most enjoyable dirge, probably a first of sorts, music director, Sean Roland, is a man to watch out. Sean was brilliant in “VaayaI Moodi Pesavum”. He does one better.

One more short got made into a full length feature film and Ram Kumar, is one more first film director who makes a mark. The seriousness of film making lies in the small details. In one of the sequences a few days after Nanditha's marriage has been called off, is a sequence where half her palms are exposed to the camera and you would not have probably paid attention if she had the mehndi or not. But Nanditha’s palms gets exposed to the camera for a fleeting second, Nanditha’s Mehndi is fresh.

Over the last four years, we have seen a quiet revolution, Content and Quality, alone seem to be the driving factors, first film directors, first film music directors, unknown and less known heroes and heroines continue to be accepted in droves by the audience. Producers like CV Kumar need to be appreciated for encouraging this activity.

In land where hero worship ruled the tinsel land for almost sixty years, the technicians in Tamil Cinema are indeed calling the shots. This is revolution. And hopefully this permeates in other spheres of life

30/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Pannayarum Padminiyum, 2014, Su. Arunkumar

I could qualify this one of those 'literary' and poetic movies, that gladdens your heart and moistens your eyes even when you think about it.

It had a great new director, who surprised us by making a U-turn to do the likeable Sethupathi, and introduced, Justin Prabhakaran, who pampers us with his melodious tunes, as recent as Dear Comrade.

You cannot miss Vijay Sethupathi angling for those wonderful roles which play second fiddle to the protagonist and enrich his filmography beyond measure.

Here is my review of Pannayarum Padminiyum when I saw it in 2014.

For Non-Tamil Speaking friends, the title roughly translated into "The Landlord and his Premier Padmini"

I am taking the liberty of reproducing the Nobel Prize award acceptance of Prof Nash, whose life was captured in the movie, A beautiful mind.

Quote

Nash: Thank you. I've always believed in numbers and the equations and logic that lead to reason.

But after a lifetime of such pursuits, I ask,

"What truly is logic?"

"Who decides reason?"

My quest has taken me through the physical, the metaphysical, the delusional -- and back.

And I have made the most important discovery of my career, the most important discovery of my life: It is only in the mysterious equations of love that any logic or reasons can be found.

I'm only here tonight because of you [wife, Alicia].

You are the reason I am.

You are all my reasons.

Unquote

In Pannayarum Padminiyum, the object of affection and unconditional love for an entire village, is an inanimate Premier Padmini which accidentally lands into the Pannayar's(Landlord's house).

Not only do the three principal characters vie for their engagement with the Padmini, but also the little boy down the lane who is putting up a sum of Rs. 5/- to get a seat in the front seat for a promised joy ride in the car.

The little boy grows into a man and buys a snazzy car. He travels back to his town, bereft of any enthusiasm, accompanied by a constant nagging thought of his unrequited desire of having not been able to take the joy ride in the front seat of the Premier Padmini. As he parks his car in front of the landlord's house, aching for a view of Padmini, he just finds the Padmini cruising towards him and stopping just short of him. And finally when he gets the opportunity to sit in the front seat and realise his dreams, watch him disowning his snazzy car.

Forgive me for letting out the beans, but for me the climax of Pannayaram Padminiyum is very creative, unique in many ways, liberating and a celebration of life.

The seeds of the mysterious equations of love remain in the virtues of empathy, understanding, giving and no conditions. In Jayaprakash and Thulasi's relationship are enshrined the magical equations of a successful marriage and relationship.

The charismatic Vijay Sethupathy manages to hold his own against the backdrop of Jayaprakash and Thulasi's power performances.

Justin Prabhakaran, the music director is another great talent to watch out.

Not only is the movie about love but it is also about living and in the present, savouring the dainty little precious things which we take for granted.

If the director could have chopped of thirty minutes especially in the first half, this could have been a greater experience.

For the patient film viewer, the movie blooms in the second half and certainly worth the patience.

29/40, #lockdownenrichmentforthesoul, Tamil Movie recoemmendation

Jigathanda, 2014, Karthik Subbaraj

Of all the Tamil film makers, Karthik Subbaraj may be the only one who can end up making films of any genre. I will not be surprised if he makes a Bhakti film and a James Bond film with equal ease. Like Tarentino or Anurag Kashyap, you can feel that he is having so much FUN making that film he is working on. He is one of those directors, whose filmography is worth watch.

The last 12 minutes of Jigarthanda are great lessons in story telling, how you can completely fool the audience and shall we say, for want of a better word, transform the genre of the movie itself.

This was my review after 28 days after the movie was released.

The "Soora Bothai"( A Devilish High) of "Jigarthanda"

Once was not enough, Twice was not enough and after a third helping in three weeks, there are no signs of satiety. I look forward to several more helpings of “Jigarthanda”( Translated as Cold Hearted, Jigarthanda is also a delectable Falooda like dessert served in Madurai).

Karthik Subbaraj, serves this intoxicating tale, narrates with Machiavellian intent, teases and tantalizes the audience with an inclusive mock fest. Probably a first, there is a mathematical format to this mock fest, the title “Jigarthanda” rolls down as it is being pronounced as a “Kuppai Padam”( A film that could pass of trash), a verdict given by one of the judges on a short films made by the protagonist. And as the director cruises along with verve, zest and zeal, the film is punctuated with unending QEDS.

Karthik is blessed with several weapons in the arsenal who shine so brightly that Karthik himself get lost in the radiance of his cohorts. One is not really sure who is the first amongst equals as Santosh Narayanan(Music), Gavemic U Ary, the Cinematographer, Siddarth and Simha, all of them vie for equal honours.

While Gavemic is silent, Siddarth is understated and probably has been underrated for this performance, Simha is a joy to behold, and Santosh Narayan, spews an indescribable score that sends you into a space far removed from this earth.

I wish I had the competence and the skill sets to appreciate the cinematography and music in greater detail. Between Gavemic and Santosh, they set the mood for a film while capturing the flavors of Madurai, infuse new flavours into the temple town which were hitherto not experienced.

For that one shot of Meenakshi temple, in a suspended haze, in a visibly invisible state, Gavemic, as a lay man I really enjoyed it.

Simha, to me, has of course been the real reason for me to visit the movie again and again. Thanks to the writing, Simha, has an opportunity to exhibit a multitude of emotions, he is not grey, he is a mirage of black with a lurking and languishing human inside. Simha explodes on to the screen. His haunting eyes, phenomenally menacing body language, the swagger, the exuberance, the camaraderie, the pursuit of excellence, and there is that glint of unusual humanness just makes him a powerful character that has been unleashed on us for a long long time. You could have the one-dimensional villains like Gabbar Singh, Mogambo, Joker or Jack Nicholson in Departed, Simha as Sethu will always remain special.

I would have loved to see, Rajinikanth play this character about thirty years back.

The goose bumps reserved for Rajinikanth seemed to have been just been shared with Simha.

28/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Pizza 2:The Villa, 2013, Deepan Chakravarthy

I am not great fan of the horror genre. Must not have seen more than 6 films till date. 

Pizza 2 is my favourite horror film.

This is another GEM from CV Kumar, Thirukumaran entertainment. In the last decade there must have been atleast a dozen directors in Tamil who made one good quality film and disappeared from the horizon. One such director is Deepan Chakravarthy. The co-writer of Pizza 2, K. Manikandan is frequenting though as an actor, last seen in Sillu Karupattu.

Here is my review of Pizza 2 when it was released November 2013

Pizza 2

Understated and Classy. At the outset, big hurrah!! for the producers to have the guts to produce this film in a regional language with a small market size.

While there have been several Aha! moments for Tamil Cinema in the last several years, even though there has been a quiet revolution, even movies like Vazhakku En 18/9 had to include an emotional climax to appease the sensibilities of a regional market.

I cannot remember any Tamil/Indian film which has been so understated and more importantly adopt a very minimalist approach to sentimentality.

While Pizza did manage to bring the house down with audience screaming in a high point of the movie, The Villa departs from Pizza, in fact saunters all along and as the pace builds up, teasingly, does not gallop!!!, remains faithful in spirit to the franchise and leaves you asking for more!!!!

Yes, We Want some more, we want some more!!!!

P.S: New director, New Hero, All round technical competence, brilliant casting and hero heroine do not run around the trees. We have now come to expect this from Tamil films.

Well the sartorial sense seemed to have improved too, with the hero distinguishing himself sporting impeccably tailored chinese collar shirts throughout the film!! Wow!! It just added to the elegance of the overall experience.

And Santosh Narayanan, your piano strains are hauntingly embedded within!!!

27/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Thanga Meenkal, 2013 and Peranbu, 2019, Ram

In some ways, Peranbu is a sequel of sorts of Thanga Meenkal or may be Peranbu is Thanga Meenkal tweaked to include an important message.

Ram is one of our genuine film makers seething with anger. He continues to mature and able to harness his anger. 

Combined with his film making skills which continue to improve leaps and bounds, he is bound to make some unforgettable cinema in times to come.

Below are my face book posts when the movie was released

Thanga Meenkal

A lament narrated with poetry, humour and crackling energy driven by nerve wracking tension set amidst extraordinary grandeur of a quite little village bursting with beautiful lakes, mystical valleys, adorable little insects and lovely children.

The movie takes of like a helicopter from the first scene, takes your breath away and by the time the movie is over you are emotionally drained.

You could get a bit upset with the director that he does not allow you to relish the innocence and the poetry. However in all fairness the narrative requires the palpable tension to enable the viewer to introspect.

The greatest loss of humanity is the loss of innocence. It is a lament that needs to be voiced at the highest decibel. The message is loud and Clear.

Ram, This is responsible Cinema at its best. We are proud of you and there is certainly hope for India.!!!!

Peranbu

Tribute to the teacher.

You cannot but be reminded of 'Moonram Pirai' while watching Peranbu.

But the pupil's reality connect, in this emotionally exhausting, must see film, is an opportunity to build a conversation around the traumatic lives of caregiver's, who are wilting around us.

While 'Empathy' is becoming the rarest of commodities, Ram's Peranbu, underlines the hope, that lies amidst hopelessness and delivers a rare GEM of Indian Cinema.

There always is an undercurrent of anger that runs below all of Ram's narrative and in his previous outings, it looked a bit imposed. Peranbu is not one of those easy watches. There is no sugar coating. It is tense, restless and suspenseful, Ram's genuineness in this heart warming tale is something his teacher, Balu Mahendra, would have approved of.

The helplessness of the caregiver is real. She or He, is almost fighting a lone battle. They live very much among us, but isolated. It is compassion that helps overpower helplessness to execute their responsibility.

I seriously wish and recommend that all the educational institutions make, Peranbu, a mandatory watch.

I guess it may be difficult for most of us to do something about it, but the least we could is to become conscious of the plight of, 'Children of the Lesser God' and the caregiver's.

To borrow the words of the narrator

Is it not important, that we realize, how blessed our lives are?

Take a bow, Ram, I wish I could give you a warm hug!!!.

26/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Soothu kavvum, 2013, Nalan Kumaraswamy

Only twice in the history of my movie watching, unable to control my laughter, I had to stand up, to be able to control the spasm in my abdomen.

The first time it was while watching Micki and Maude and the second time it was with Soothu Kavvum.

It will be the best black comedy that was ever made and probably will be ever made.

CV Kumar, Thirukumaran Entertainment(TE), produced about 16 films, and in a way transformed the quality and content, of Tamil Films. Not sure, if any other production house influenced the course of Tamil cinema in the last 10 year as much as TE. They also have the privilege of introducing Pa. Ranjith, Nalan Kumaraswamy, Karthik subbaraj, Ramkumar and the likes.

By the way where are your Nalan? You are by far the cleverest of the new age directors and we miss you very badly.

Here is my review of Soothu Kavvum written in 2013 when the movie was released

Over the last two years, Tamil Cinema, has consistently produced at least 30 good films with little or no star power. The screenwriter and the technicians have been firmly in grip. Not sure if Bollywood or Hollywood have attempted so many quality films without stars.

Soodhu Kavvum, is one such effort, with the screen writer working overtime to give us pure and unadulterated entertainment. While the story seems to skirt along similar themes in the past, the screenwriter keeps the viewer surprised till the end.

The movie while being hilariously tense with its zany characters and plot, is peppered with a lot of creativity, great music and BGM from Santosh Narayanan. Ever since I have heard Santosh in Attakthi I am a great fan of his. While the Sax is joyous and you get to hear it in the background, he freaks out with the Gana and Rap mix and then surprises you with the out of the world, MGR "Thathuva padal"(Philosophy) song in the end.

I think professionals in all walks of life may learn from the Tamil Film Technicians, who continue to set new standards of excellence.

Way to go.

25/40, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Attakathi, 2012, Madras, 2014, Pa. Ranjith

When there is imagination to make a debut film about a NOBODY, then you had the privilege of watching the launch of the career of a SOMEBODY.

This was my review when the movie was released in 2012

Got to watch Attakathi, one of the latest Tamil releases. The golden period of Tamil Cinema seems to endure. The industry seems to be firmly in the hands of technicians. A million stories are waiting to be told in our very backyard. Attakathi, narrates the story of yet another directionless Indian youth, with characters thrown around him etched out of our own lives. Exhilarating cinema intertwined with some intoxicating music laced with Spanish strains. Dinesh(?), the protagonist could well walk away with the Best Actor for the year. Thanks to the director for rekindling the magic of 'Thavani'(Half Saree) in a few of the scenes and a special mention of the sequence of the music and dance at the funeral peaking into a crescendo and then breaking into a song sung by the protagonist surrounded by his friends and relatives. It is for this kind of excitement that we see films.

Madras

Exuberant film making. While Pollathavan, initiated North Madras to a certain extent, Madras, carved a unique place for North Madras in the heart of the film viewer. If ony Ranjit had taken care of the last 30-40 minutes, Madras might have ended up being a cult classic. 

The Madras interval block and the the most amazing background music by Santhosh Narayan for that block will be one of the most unforgettable slices of cinema.

24/40, #lockdownenrichmentforthesoul, Tamil Movie recommendation

Neerparavai, 2012, Seenu Ramaswamy

A most beautifully crafted soulful classic.

When the addict is 'de-addicted', the fisherman's father joy knows no bounds, and as a token of gratitude get's hold of the biggest fish possible and gifts it to the doctor who cured his son. 

These are moments where only arts can reach rarefied heights and liberate the soul from petty boundaries.

I thought there were strokes of genius. I personally thought, even when the hero temporarily moves out of the fishing hamlet, the director ensured that the story shifted to "Uppalams" (Salt Pan??), thereby ensured that we breathed the whiff of "saltish air" as we watched the movie. This ensured that we were transported to the very place of action, enhanced the entire experience.

Jeyamohan was in great form.

N. Raghunathan's music was very good. Not sure about his address, these days.

Alagam Perumal, as the Father(priest), is another unforgettable performance

Will always be one of the special movies made in Tamil Cinema.

23/40, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Angadi Theru, 2010 and Aravaan, 2012, Vasanathabalan

These are two gems from the golden age of Tamil Cinema, 2007 - 2014, from Vasanthabalan

Angadi Theru is the most hard hitting movie made on an actual retail store and their practices in T. Nagar. Timeless

Aravaan, is the most fascinating historical ever made in Tamil Cinema., based on one of the chapters of Su. Venkatesan's 'Kaaval Kottam'. 'A sweeping spectacle. Timeless again. it was a crime to not have celebrated this classic.

22/40,#lockdownenrichmentforthesoul, Tamil Movie recommendation

I will continue the Tamil Movie recommendation alone from today. The International and Indian movie recommendation come to an end at the Lockdown 1.0

Azhagarsamiyin Kuthirai, 2011 and Adhalinal Kathal Seiveer, 2013, Suseendhran

Suseendhran made some very good films at the beginning of his career.

Azhagarsamiyin Kuthirai won the National award, for the Best popular film providing wholesome entertainment. It upset the uber stylish Zindagi na Milegi Dobara to win this award.

A charming film set in the rural mileu with Maestro in Sublime form. It was just out of the world, especially watching it in the cinema hall.

Adhalinal kadhal seiveer, is a brilliant adaptation of Juno, about teenage pregnancy. i was floored by the brilliant climax, where they invoked the crux of Puthiya Pathai, thereby ensuring that the message reached out to the lowest common denominator.

Both of these movies again drive home the fact that Content is King!!!!

21/21, #lockdownenrichmentforthesoul , International Movie recommendation

Last Train Home, Chinese Documentary, 2009

It is a very important and relevant documentary. What is the impact of the human's on their decision to bring in business efficiencies?

As a civilization, we have come a full cycle, in the quest to seek new pastures, human adventure, has triggered the world melting into a pot.

While the world seems to have become more integrated, the aspirations seem to be disintegrating the fabric of our social structures. Families seem to be getting carved and disintegrated into different directions. It is not only that the migrant workers get displaced, it is common for wife and husband, to be working and living in different cities.

The Last Train Home is all soul. Opens up fundamental questions for introspection.

It also reminds us mortals, that we seem to be mere pawns, tossed around in the bewildering forces of greed that have been unleashed.

While there are people worried about human civilization being swept away by environmental hazards, I would be very worried if we lost the joys of being a social animal.

21/21, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Vazhakku En: 18/9

One of the almost perfect films ( except for the compromise made in the climax) made in Tamil/Indian cinema.

It is sad to see one of the great directorial talents doing side roles.

Eight years after this great movie, where has Balaji Sakthivel disappeared, as a director?

21/21, #lockdownenrichmentforthesoul, Indian Movie Recommendation

Sudani from Nigeria, Streaming on Netflix

One of the loveliest movies made in Malayalam/Indian cinema.

Soubin Shahir and Savithri Sreedharan are in great form.

For me the highlight of the film, is the mother's empathy at the death of the Nigerian footballer's grandmother's and organizing the chanting of Koran by innocent kids bathed in a white robe followed by a feast as a mark of respect for the deceased grandmother.

Truly the world can do with instances of such overflowing love.

This is a mandatory watch.

20/21, #Lockdownenrichmentforthesoul, International Movie Recommendation

MILK

Two important reasons why you must watch, 'Milk'.

Harvey Milk, believed, which any progressive society would aspire:

All young people, regardless of sexual orientation or identity, deserve a safe and supportive environment in which to achieve their full potential.

All of us aspire for equality. A very important first reason, that, may want to sink and seep into every corner of our society.

Harvey Milk encouraged and advocated that

Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and all. And once you do, you will feel so much better

The second reason, why you should watch, Milk, is for you to be able to accept the differently oriented, as they are, and give them a sense of reassurance to be able to open up.

20/21. #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Aadukalam

It is and will always be one of the finest films made in Tamil cinema and India.

This is a classic case where you can make a film revolving stories rooted in the flavour of the soil and yet explore universal themes.

While the first half was exhilarating, the second half was absolutely out of the world, unthinkable in the realms of Tamil Cinema.

Deservedly won a clutch of awards

20/21, #lockdownenrichmentforthesoul, Indian Movie recommendation

Dev D

The kind of energy that oozes, is almost the same as derived watching high octane thriller.

The exploration of both the physical and platonic relationship is fascinating, in a way bringing out the meaninglessness of the physical relationship.

What a re-imagination of a tragic tale? Great cinema that redefines Devadas, filled with hope and a future.

Strictly for Adults

19/21, #lockdownenrichmentforthesoul , International Movie Recommendation

Two Pope's

Happy Easter to you all. What better gift on an Easter day, then watch this message of hope, from Two Pope's on this auspicious day. https://www.linkedin.com/pulse/two-popes-panacea-splintering-world-raghunath-ramaswamy/?fbclid=IwAR2_j6GxA2TOlJa8rsuG0Q_ZdwdUvds0WHXBU-7wrreP2AD-Ayn79Tea_tg

19/21, #lockdownenrichmentforthesoul, Tamil Movie Recommendation

Mynaa

A pure adrenaline rush for the viewer that seamlessly blended, the local lingo, romance, comedy, action, adventure , great songs and music, culminating in a disapproving yet stunning climax.

A great masala film, for all times.

Most of the movies that stood out between 2000 and 2010, had tragic endings but the audience just lapped it up. 

The making, triumphed.

Vidharth was an equally great contender for the best actor award that year which eventually Dhanush shared with Salim Kumar. Like Priya Mani, this talent actor has almost disappeared from the Tamil cinema scene.

Thank you Prabhu Solomon, for entertaining us.

19/21, #Lockdownenrichmentforthesoul, Indian Movie Recommendaton

Angamaly Dairies and EeMaayu, Malayalam, Lijo Jose Pellisery

I have great pleasure in recommending two fantastic Malayalam films.

I believe, Lijo Jose Pellisery will be the next person from India , who will bring India home the Oscars. Vetrimaran could be a close second, but he seems to be drifting. 

Angamaly dairies and EEMaayuu are very different films. Both of them were pure delight.

When I saw Eemaayuu for the first time, I was bowled by the sound design, that I did not focus on anything else.

Catch up, Anagamaly Dairies is streaming on netflix and eemaayuu is streaming on Prime.

18/21, #Lockdownenrichmentforthesoul, International Movie Recommendation

Lincoln

Lincoln is a personal favourite of mine.

Times are different. The article was written when Mr. Trump was elected. Seems relevant even in these times.

Lincoln's address after the Civil War is instructive and timeless.

With malice towards none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle, and for his widow and his orphan, to do all which may achieve and cherish a just and a lasting peace among ourselves and with all nations.

https://www.linkedin.com/pulse/responsibility-being-mr-donald-trump-eyw-week-18-raghunath-ramaswamy/?fbclid=IwAR2nZIJhpV5f-hNt5TUgWlTdOKI_Ajz4pJmar5B7NOmWqw7qHAYz7ajnwH8

18/21, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Ayirathil Oruvan, 2010

When imagination ran riot.....

The expedition, while it looked fairly familiar, culminated into something extremely unpredictable and where each passing sequence started becoming better and better, especially in the second half. Ten years after watching Ayirathil Oruvan, i still retain the daze after walking out of Kamala Cinema during 2010 Pongal.

Dearest Selva, all of us eagerly look forward to the sequel.

By the way, we also look forward to your waking up from your stupour!!! 

We could help ourselves with some of your creativity and energy that charecterize your films.

18/21, #Lockdownenrichmentforthesoul, Indian Movie Recommendation

Eega, Telugu, 2012

While Rajamouli covered himself with  glory with the monumental Bahubali, my favourite Rajamouli, movie remains Eega. 

After Lagaan, it had the audience vocally rooting for the Fly. in a rousing interval block. you hooted as the fly attacked Sudeep.

Timeless and Brilliant.

This is a anytime watch. 

17/21, #Lockdownenrichmentforthesoul, International movie recommendation

Fences and Guess Who is coming to Dinner

Parenting to me then seems to be one of the strong reasons that seems to have determined the attitude and probably the destiny of this professional.

Parenting can be about a lot of things.

Fundamentally about responsibility. Definitely about being exemplary. Certainly about constantly communicating. Surely about setting goals. Unquestionably about imparting values and the moral fabric to weather the innumerable storms. Undoubtedly about instilling hope. Indisputably about understanding your children and (their aspirations). 

Evidently a state, which requires infinite patience. Undeniably, where giving exceeds receiving. Conclusively a state, where you could muster all the love in the world and yet the parent may feel that he or she may want to add just something extra.

17/21, #Lockdownenrichmentforthesoul, Tamil film

Subramaniyapuram, 2008. Sasikumar

If we had continued to make as many good films as we did between 2007 and 2014, we would have been far ahead of Malayalam cinema by now.

Subramaniyapuram, is one of the brilliant movies during that time. Anurag Kashyap has credited subramaniyapuram for the inspiration of Gangs of Wasseypur.

God only knows, why Sasikumar stopped directing!!!

Worth its weight in gold.

17/21, #lockdownenrichmentforthesoul, Indian Movie Recommendation

Rocket Singh: Salesman of the year

Is one of the loveliest movies made in Indian cinema which include wonderful lessons in management, entrepreneurship, team building, empathy, relationships....

This is a mandatory watch for all sections of the society.

The earnestness of Ranbir Kapoor is worth falling in love.

Rocket Singh, is a Rocket targeted deep into your soul.

" Ananda kaneer" (Tears welling out of Happiness) guaranteed

16/21, #Lockdownenrichmentforthesoul, International Movie Recommendation

Silence of the lambs and Marnie

Beneath the superficial layer of who we think we are and how we are perceived by others, there is probably one real person within all of us, waiting to be discovered. The person that has eluded the wakeful consciousness, within. A person with unlimited intelligence and capabilities, who is born to win.

16/21, #Lockdownenrichmentforthesoul, Indian Movie Recommendation

Satya, 1998, Hindi

Ramgopal varma made this when he was in sublime form.

A definite cult classic, that wafts in the Mumbai Lingo. Direct and hard hitting, you just cannot ignore the wit, sarcasm and humour.

Arguably the, best movie ever made on Underworld/Mafia.

The big bonuses of the movie are Manoj Bajapayee and Anurag kashyap, who continue to light up the tinsel town.

16/21, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Paruthiveeran

Another landmark movie in the Tamil industry.

Karthi's debut Film. Priya mani and karthi sizzle in this lovely love story.

Wonder where Priya Mani and Amir have vanished over the years.

I saw this when it was released in Lux Cinemas in 2016 just before Deepavali. What a riot.

This is another timeless classic.

15/21, #Lockdownenrichmentforthesoul, International Movie Recommendation

The Aviator

Entrepreneurial journey can mean different things to different people. Lessons from Hughes life, can be enlightening to not only entrepreneurs, aspiring entrepreneurs and professionals.

Hughes will always be relevant.

https://www.linkedin.com/pulse/entrepreneurs-investment-enrichyourweekendeyw-week-9-ramaswamy/?fbclid=IwAR1I40EIpdMmOdyeXPBoqPbQUAVJcNQIJ8FPIcdgZ0GGlAw_qB6A0ns51bE

15/21, #lockdownenrichmentforthesoul, Tamil movie recommendation

Mudhalvan and Enthiran

What can be the Tamil Industry be without Shankar, the dreamer, who dared to dream beyond the narrow borders imposed by regional cinema.

Within 2 years of Forest Gump, releasing, in those time when technological differences were difficult to bridge, he recreated those concepts in Indian.

Mudhalvan, When we beat Hollywood at their game.

The Nixon interviews were a series of conversations between former President Richard Nixon and British journalist David Frost, produced by John Birt. They were recorded and broadcast on television and radio in four programs in 1977. The interviews became the central subject of Peter Morgan's play Frost/Nixon in 2006 and the 2008 film version.

For the records, writer Sujatha, adapted those interviews into one unforgettable iNTERVIEW brilliantly in Mudhalvan.

Enthiran

Only Shankar could have made this supremely stylish Sci Fi thriller. 

It was sad though that the climax, despite its brilliant conceptualisation, was poorly executed. 

One also gets a taste of how Rajini in full form can feel like.

15/21, #Lockdownenrichmentforthesoul, Indian Movie Recommendation

ManichitraThazu and Drishyam

Two of the best thrillers in Indian cinema

When the other remakes of Mani Chitra Thazu were made 10 years later, they looked like they were 20 years behind in time.

One of the reasons, you start believing Malayalam cinema is way ahead.

Mani chitra Thazu is pure class.

Drishyam

The perfect thriller for all times that you don't seem to ever get tired of.

14/21, #Lockdownenrichmentforthesoul, International Movie Recommendation

Kon-Tiki

Thor Heyerdahl, the Norwegian explorer in his visits to the Fatu Hiva, Polynesian Islands, 1937, becomes intrigued from where the Polynesians may have arrived.

While the belief at that point was that the Polynesian's may have migrated from Asia, two aspects intrigue him, one is a theory that Asian's may have had to travel to Polynesia against strong currents and the fact that Faa-hoka a type of pineapple, found in South America and was found in abundance by the European explorers when they arrived in Polynesia.

Thor, in his interactions with the, local elder, tries to understand where his ancestors came from.

The elder avers:

Everything comes from the East, Ocean Currents, Wind and the Sun.

Thor believed that people from South America could have settled in Polynesia in pre-columbian times.

Thor was convinced that ancient people from South America traveled a 4,300 mile journey from South America to the South Pacific by raft. 

His aim in mounting the Kon-Tiki expedition was to show, by using only the materials and technologies available to those people at the time, that there were no technical reasons to prevent them from having done so. 

The Kon-Tiki expedition was funded by private loans, along with donations of equipment from the United States Army. Thor and a small team went to Peru, where, with the help of dockyard facilities provided by the Peruvian authorities, they constructed the raft out of balsa logs and other native materials in an indigenous style as recorded in illustrations by Spanish conquistadores. The trip began on April 28, 1947. Heyerdahl and five companions sailed the raft for 101 days over 6900 km (4,300 miles) across the Pacific Ocean before smashing into a reef at Raroia in the Tuamotu Island on August 7, 1947. The crew made successful landfall and all returned safely.

The journey was undertaken against several odds including seas filled with sharks.

The most interesting part is that Thor's raft was not propelled by engines, but sailed with the help of winds and ocean currents.

Thor the explorer and the sailor, undertook the great expedition, without knowing, how to swim!!!!

What does Thor Heyerdahl and his journey mean to us?

I would like to invoke within us

A perpetual sense of amazement and the wonderment about the world that we inhabit

A constant excitement about the infinite possibilities that present

The explorer who travels far and beyond

The historian who tries to understand who we are and how did we travel thus far.

An inquiring mind to observe, understand and explore.

The good sense to not hurry to form any judgment.

The Scientist who researches thoroughly

The Adventurer who has the audacity to execute the plans against all odds

Most importantly,

It is in the mysterious equations of Belief, lies the redemption of Human Civilization.

14/21, #Lockdownenrichmentforthesoul, Indian Movie Recommendation

Mithunam, 2012, Telugu, Streaming on Prime

Life and Living are illustrated so marvelously.

The story revolves around an elderly couple who live in the lovely environs of a quaint old self contained house with a quainter home garden.

The daily chores saunters at a pace indifferent to the spaces of time.

Experience the tranquility of a quiet life. There are flashbacks aplenty and mercifully the cinematic technique is left alone.

SPB and Lakshmi are superb. Despite SPB being in top form, Lakshmi wins the acting honours hands down.

This is a mandatory watch, for all youngsters.

A mandatory watch to beat your COVID Blues.

As SPB avers after this meal

ADBUTAHA!!! (INcreddible)

P.S:

I have tonnes of telugu friends. I puzzled that not even one has recommended this treasure to me.

14/21, #Lockdownenrichmentforthesoul, Tamil Movie Recommendation

Naan Kadavul

Beginning today, we will be covering the 21st century directors. 

I have made a list of 15 important directors and their work. This series then will run for 14 more weeks.

Bala, technically made his first film in 1999. And then a streak of darkness, 'descendeth"...

Bala's films are dark and disturbing, a reflection, of the growing mistrust within the system.

Make no mistake he has influenced so many film makers, ARJUN REDDY is a film directly influenced by Bala. 

His film making though is absolutely liberating.

I was in an extremely angry frame of mind when I stepped into to see Naan kadavul. I became absolutely calm within 30 seconds of the movie commencing.

Having said that while I appreciate Bala's angst and anger, I many times felt he could do with some counselling. I felt that especially with the kind of violence that was unleashed in a comedy like Avan Ivan.

Bala is such an important director and he can be so effective in narrating a story, it may be a good idea for him to take an objective middle path, so that it can influence youngsters positively

Bala's best is yet to come. And I just hope that he harnesses that anger to create some mind boggling stuff.