Beautifully concealed in this Movie is Ashritha Shetty, who lends authenticity to the movie. The writing for Ashritha is wonderful. The lady who has a crush, juvenile and possessive, displays extraordinary maturity and rationale while choosing her partner, the reassurance and the faith in her partner seeming to remind you of Mariel Hemingway, the seventeen year old in Wood Allen's Manhattan.
A lovely moment of person who is passionately in love, especially when she visits Siddarth has been captured with wonderful restraint by the screenwriter/director. There is so much palpable excitement in this sequence that the action sequence seem to pale in comparison.
Siddarth while being quite earnest and competent in his role looks aged along with the adolescent Ashirtha. Not very sure if the writing Kay Kay Menon's role has meat. Seems to be superficial, loud and definitely not menacing. Imagine what could have been the impact if there were some of Tommy Lee Jones in Fugitive infused into Kay Kay Menon's role. May be the depth and attention paid to the love story was not paid to the action elements.
A smart ,coherent and cerebral narrative flatters to deceive with an insipid and a brawny climax.
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